TESSERAE. Should all tesserae of a mosaic be alike, the result will be elegant yet rather tedious. A work becomes art when pieces of different sizes and colours are placed together in harmony to give birth to something new and unique - maybe even magical… When creating a new collection we feel we are mosaic artists - not least for having introduced Kunst, a mosaic made of silk and gold. Our tesserae include threads of silk, cotton, metal or technical fibres, yarns of different colour and size, weaves both simple and complex, patterns inspired by documents, by nature or by art. All of this is...

Adriano Brusaferri Photographer by heart and profession. From food to fashion, photographic reportage to the most beautiful homes in the world, textiles to many other things. Candida Zanelli Stylist and journalist. Works with the world's top interior design, decoration, food and travel magazines. Loves Japan and its culture. Federico Cedrone Born in Rhodesia, grew up in Rome, lives in Milan. Builds his photography on atmosphere and refinement. Elisa Ossino Architect and interior stylist. Has a lightweight and buoyant design approach yet one with a beautifully presented and strong theatrical quality....

rubelli 2016 magazine in wonderland Publisher: Rubelli S.p.A. Projet Editors Loredana Di Pascale Alberto Pezzato Production Manager Roberta Linzi Photographers Adriano Brusaferri, Federico Cedrone, Giovanni Gastel, Davide Trevisan Stylists Elisa Ossino, Micaela Sessa, Candida Zanelli Writers Acqua di Fonte, Silvana Annicchiarico, Mariagiovanna Cosentino, Giovanni Gastel Graphic Design Leftloft Translator Mary Consonni Thanksto Arflex, Artemide, BMorone, Campeggi, Cappellini, Charles, Church's, Danese, Desalto, Donghia, Dorelan, Fendi, Fiskars, Flos, Foscarini, Gervasoni, Kartell, Kose, La Palma,...

the evocative atmosphere of a castle, vast rationalist exhibition spaces, a neoclassical residence, the intimacy of a private home, a historical palazzo in the heart of milan and a famous photography studio: rubelli has entrusted the 2016 collection to six interiors from different periods. spaces where we can continue to read our own story. le atmosfere nostalgiche di un castello, i vasti spazi espositivi razionalisti, una dimora neoclassica, l’intimità di una casa privata, un palazzo storico nel cuore di milano ed un celebre studio fotografico: rubelli affida la collezione 2016 a sei interni ...

text by acqua di fonte concept and styling by candida zanelli photo by adriano brusaferri A hardwearing terracotta floor, an impressive majolica stove, a sturdy stone fireplace, a charming old door, elegant stained glass. Outside, the depth and intimacy of an ancient landscape. A space I recognise and where I’m recognised, even if I’ve never been there before. A place made even more familiar and sacred by the marks of time, like memories. I share its imperfect fragility. Castello Quistini is a piece of eternity, a spiritual place. La robustezza di un pavimento in cotto, la signorilità di una...

From the left: Kipu Poufsby Lapalma Spritz 30159/25, Kunst 30156/5, Cane-vetta Chairs by Rubelli Casa Spritz 30159/12/18/6/14, Cushions Happy Hour 30153/5/1.

I leadboaid Monet 30162/2, Pillows Plutone 30171/9, Cushions Plutone 30171/12/8, Bedspi ead Trick 30160/9. On the i ight: Cuitain Victoria 30157/17, Ranaldo Chandelier by Donghia, Canevetta Chair by Rubelli Casa Spritz 30159/18.

On the loft: Sheer Teti 30167/4, Inner sii uttei Spritz 30159/2, Squei ai ol Bendi by Rubelli Casa Brahms 30158/14. Calle Lai ga Sofa by Rubelli Casa Brahms 30158/18, Pii on Chaii by Rubelli Casa Friedy 30165/5.

Calle Lai ga Sofà by Rubelli Casa Brahms 30158/18, Cushions Victoria 30157/26, Piron Chair by Rubelli Casa Friedy 30165/5.

On the left: Curtain Fiammetta 30169/5. Headboard Monet 30162/3, Pillows Plutone 30171/9, Cushions Plutone 30171/12/8, Bedspread Trick 30160/9.

geometrie di colore text by mariagiovanna cosentino concept and styling by elisa ossino photo by federico cedrone Whereas the triangle draws the eye upwards, the square remains firmly anchored to the ground and the circle, giving off strength and energy, is a perfect shape, a microcosm. This is how Kandinsky saw things. A round shape blunts angles and straight lines and occupies space with grace and lightness, in a permanent play on proportions and equilibrium. However, colours finish off the job. Bright or understated colours, balanced or bold coordination, classic or futuristic colour scales....

Jules Chaii byAiflcx Spritz 30159/19, Divan Sofà by Donghia Backgammon 30161/3.

On the left: Curtain Spritz 30159/13, Paper Plane Chair by Moroso Brahms 30158/22. Headboard Victoria 30157/24, Bedspread Trick 30160/8.

Curtain Spritz 30159/26, Elettra Chair by Arflex Albert 30166/13. fabric offers no resistance. it is the fabric, in its various shades of colour, which plays host. il tessuto non oppone resistenza. è lui, nelle sue diverse declinazioni cromatiche, a fare gli onori di casa.

Design “glove-scarf” by Valentino Mazzoleni Happy Hour 30153/4. Tessuto F'ó'Em By Giovanni gastel concept a\d stiLìig Bi micaela sessa phoTo Bi Giovanni gastel

|É^ 6 1^'^i ÌÒ *s8BKì*RhJ<JI ■‘V'V^- rV IH‘Ì V r*-i V !-< i T, •.-*,- n* ■ fc ( JjJtl «Sfl^ ! T4Tì 1 flj q V TV * L’.*! ' ^' >‘r| >‘''’AP|’>pr,?|Ìf'P'' '".•■?'*"lirl r‘T‘',t?*'t*i rs’r«^ rffT l'f- 1J tL t L H Li.im.LLii U LLiffLUJJI mitj mri:» .n u r:tjutti >n j ■ j . i run now myhand over this precious luminous gleaming fabric just as once, my love, i caressed your skin marbled by moonlight. Mademoiselle Chaii s by Kartell Happy Hour 30153/5/3/6.

Previous page: Background Klismos by Donghia Suit by Gentucca Bini Giotto 30164/3. On the right: Chaise Longue Leaf by Living Divani Kunst 30156/6.