Homescapes, lasting elegance.

Due destinazioni esplorano il contrasto tra spazi: Lasting Echo (p. 6) e Lasting Flow (p. 56), metafore in continuo movimento che esaltano il valore di materiali preziosi, forme armoniose, tonalità avvolgenti messaggeri di un’eleganza che dura nel tempo. Two destinations explore the contrast between spaces: Lasting Echo , 6 metaphors in perpetuai motion that highlight the value of exquisite materials, harmonious shapes and enveloping hues, messengers of an elegance that transcends time.

The home is a unique narrative of a shared story, a personal diary containing emotions, experiences, and the most intimate bonds; a personal poem that has the power to transform a space into a heart-felt place, made of life’s chapters and lasting memories that are born and settle within its walls. Even objects become a means to explore and communicate who we are. It’s an invitation to see the world through a creative lens, cherishing moments of grace and wonder. In the background, nature emanates a unique and reassuring charm, resembling a work of art depicting the continuous and timeless...

Lasting Echo. Ogni scenario è come una nota che si fonde con il silenzio, creando un’armonia che perdura. Un eco non svanisce mai, rimane e continua a parlare nel tempo, intrecciandosi con i luoghi dell’abitare di cui custodisce emozioni, memorie e fantasie. Lasting Echo. Encli scenario is like a note that blends with silence, creating harmony that lasts. An echo never fades; it rema i ns and continues to speak through time, inter-twining with the spaces of living, preserving emotions, memories, and dreams.

Stami Sofà, page 123

Stami Sofà, page 123 Chantal, coffee table, page 125 Stami Sofa Plus, SPLUS-POUF, page 124 Brera23, shelving system, page 143 Selce, coffee table, page 128 Metaphores, rug, page 134

Stami Sofà, page 123 Selce, coffee table, page 128 Brera23, shelving system, page 143 Chantal, coffee table, page 125 Metaphores, rug, page 134

Selce, coffee table, page 128 Stami Sofa, page 123 Stami Sofa Plus, SPLUS-POUF, page 124 Metaphores, rug, page 134

Selce-T, table, page 112 0414, chair, page 113 Stami Sideboard, page 142 Bolle Orizzontale, hanging lamp, page 131

Selce-T, table, page 112 0414, chair, page 113 Bolle Orizzontale, hanging lamp, page 131

Selce-T, table, page 112 “Cocciopesto”, a natural material made from fragments of clay bricks chosen in shades of straw yellow and furnace-browned red, enhances the contours of the rough, hand-spatulated base of the Selce-T table. Il cocciopesto, un materiale naturale ricavato da frammenti di laterizi in argilla scelto nei toni del giallo paglierino e del rosso imbrunito in fornace, esalta i contorni del fondo ruvido spatolato a mano del tavolo Selce T.

Stami Sideboard, page 142 Selce-T, table, page 112 0414, chair, page 113 Bolle Orizzontale, hanging lamp, page 131

Ato, rug, page 134 Bolle Sola, hanging lamp, page 131 Sunrise, bed, page 148 Sensei, coffee table, page 129

Sunrise, bed, page 148 Hide&Seek Mini, coffee table, page 126 Selce, coffee table, page 128 Sensei, coffee table, page 129 Bolle Tavolo 1, table lamp, page 131 Ato, rug, page 134 Bolle Sola, hanging lamp, page 131 Akiko Lounge, armchair, page 117 Roundcut, shelving system, page 135

Sunrise, bed, page 148 Sensei, coffee table, page 129

Ato, rug, page 134 Akiko Lounge, armchair, page 117 Selce, coffee table, page 128

Sensei Console, page 136

Sensei Console, page 136 The sheets, made from copper spheres, are incredibly thin, almost intangible, to the point that they are separated with a breath before being placed on the transparent glass. The oxidation process, skill-fully controlled by the craftsman, gives the glass the appearance of metal, creating shades that range from reddish to brown, hence the name Rosso Marte. I fogli, ricavati da sfere in rame, sono sottilissimi, quasi impalpabili tanto da essere separati con un soffio prima di essere adagiati sul vetro trasparente. La fase di ossidazione, governata sapientemente...

Manto, table, page 111 Akiko, chair, page 114 Spectrum, hanging lamp, page 133 0419, stool, page 113

Manto, table, page 111 Akiko, chair, page 114 Spectrum, hanging lamp, page 133

Cloud Infinity, modular sofa, page 119 Cloud Poltrona, armchair, page 117 Cloud Pouf, page 115 Sensei, coffee table, page 129 Ato, rug, page 134 Lilas, armchair, page 120 Re-verre, coffee table, page 128 Prism Low, coffee table, page 127 Bolle Stelo, floor lamp, page 131 Diedro, suspended unit, page 138 Manto, table, page 111 Akiko, chair, page 114 Spectrum, hanging lamp, page 133

Re-verre, coffee table, page 128 Cloud Infinity, modular sofà, page 119 Bolle Stelo, floor lamp, page 131 Lilas, armchair, page 120 Cloud Pouf, page 115 Prism Low, coffee table, page 127 Ato, rug, page 134 Glass can be recycled indefinitely. And so, when transformed into crushed gravel powder, it takes on a new identity, expressing itself freely in form and color, inspired by the tones of the earth or the lunar landscape. Re-Verre ‘glass again’ from French, another story to be told. Il vetro può essere riciclato all’infinito. Ed ecco che reso in polvere di graniglia assume una nuova...

Sensei Desk, page 137

Sensei Desk, page 137 Livre, armchair, page 122 Ruggy, rug, page 135 Haumea, coffee table, page 126 Akiko, chair, page 114 Drummers, coffee table, page 125

Kumi, sideboard, pages 141, 147 Jolie Applique, page 133

Lilas Bed, page 145 Epsilon Sola, hanging lamp, page 132 Stami Night, bedside, page 147 Lilas Bench, page 115 Prism Low, coffee table, page 127 Resia, rug, page 134 Cloud Chaise Longue, page 118

Cloud Chaise Longue, page 118 Monete, coffee table, page 127

Lasting Flow. Il fascino seducente di un flusso senza fine che nasce da una sintonia profonda tra ciò che siamo e ciò che ci circonda, creando spazi che sono il riflesso di una vita vissuta con intenzione, consapevolezza, arte e poesia. Lasting Flow. The seductive charm of an endless flow emerges from a profound connection between our essence and our surround-ings, creating spaces that embody a life lived with intention, awareness, art, and poetry.